A three-part programme of pre-professional, theatrical training. Make magic happen! Delve deep into understanding the stagecraft behind it. Collaborate with other starry personalities and become the individual artist you dream to be!
Subject Information
Drama is all about how you create, perform and spectate theatre. It requires you to adopt the mindset of a professional director, actor, designer and writer. You work both as an individual and as part of a dedicated company. You also engage in analysis and evaluation through discussion and writing.
Drama empowers you with the confidence, the knowledge and the sheer passion to be the best version of yourself; to become a strong and inspiring leader; and to thrive in future relationships at work and in life. The emphasis will be on practical exploration and discovery. We will work together to encounter unforgettable performances, so that individual outcomes and shared experiences reflect our highest hopes.
Those who are considering pursuing performing arts further, as well as those with a keen interest in theatre, cultural history and politics, world literature and the place of arts in society should definitely consider Drama. The course here can enhance your outcomes and motivation in every subject.
Course Details
We follow a structure of three components:
Component 1: Devising
Here, you must devise an original performance piece, with the stimulus of one key extract from a text and the influence of a theatre practitioner.
An example: You study Churchill’s ‘Love and Information’ influenced by Peter Brook. You work in a group of 4 performers to produce a 20-minute piece.
You must also produce a portfolio which charts your research, the creative process and evaluates the devised performance (up to 3000 words).
There are the options to be assessed as a designer and to voice record the portfolio.
This counts for 40% of your final grade.
Component 2: Text in Performance
Here, you must be part of a group performance of one key extract from a performance text, and then a monologue or duologue from a different play.
An example: You design costumes for a group scene in Macmillan’s ‘People, Places and Things’ which lasts its 4 actors 40 minutes to perform; you then perform the role of Nina in a 6-minute duologue from Chekhov’s ‘The Seagull’.
There is a free range of plays and role combinations (performer and/or designer).
This counts for 20% of your grade.
Component 3: Theatre Makers in Practice
Here, you must take a written exam, lasting 2 hours 30 minutes and containing Sections A, B and C.
- The exam requires practical exploration beforehand as well as seeing live theatre.
- You must evaluate a live theatre performance that you’ve seen; respond to performer/designer-based questions on an extract from a play you’ve studied; finally, you must demonstrate how you might interpret a performance text, referring to the influence of a theatre practitioner and the play’s historical context.
- The texts and practitioners upon which your responses are based come from Edexcel’s set lists.
An example: You study Wilson’s play ‘Fences’ and Sophocles’ ‘Antigone’, with Punchdrunk as your practitioner. Your teacher takes you to see ‘The Glass Menagerie’ at The Old Vic Theatre in London for your live theatre evaluation.
This counts for 40% of your grade and completes the A-level qualification.
In addition to the A level course, we offer:
- Opportunities to take part in masterclasses and workshops with celebrated professionals. Chesterton Drama Department has established links with world famous director Ian Rickson, Golden Globe award-winning actress Rosamund Pike and Olivier award-winning playwright Patrick Marber, among others.
- Chances to perform in extracurricular events, plays and musicals with Chesterton Youth Theatre. Our sister company, Achilles’ Heel, has toured to Edinburgh Festival Fringe and Oxford University; our most recent NT Connections production at the Royal & Derngate Theatre, Northampton, was professionally reviewed with the critic’s acclaim that “Chesterton’s performance of ‘The School Film’ was the greatest Connections (he had ever) seen. Just so truly brilliant from the cast and director…”.
- Invitations to receive coaching for auditions for drama schools with experienced professionals. In 2021, eight members of Chesterton Youth Theatre were awarded places with National Youth Theatre/National Youth Music Theatre, following Chesterton-based workshops and with Chesterton-facilitated financial support.
- Theatre trips to see cutting-edge productions in the West End and in a range of local venues. Chesterton students have frequently received reduced-price/free upgrades for tickets at Cambridge Arts Theatre; we have also been given tailored workshops at London’s Royal Court Theatre prior to seeing its new plays.
- We plan to extend our annual Drama retreats to Burwell House and introduce residential visits to Stratford-Upon-Avon, to experience the Royal Shakespeare Company’s repertoire.
- Spaces for rehearsal and performance are plentiful, from the homely Drama Studio to the newly built Atrium Theatre. We have also staged performances in promenade and as outdoor productions including sponsored shows at a local luxury housing development.
- Students have access to state-of-the-art LED and halogen lighting fixtures in our performance spaces, plus sound equipment and a large store of costumes and props.
Chesterton Drama Department is a boutique-like centre for excellence. Our Head of Drama was responsible for winning the Good Schools Guide Award for the Best Girls’ AS Drama Results in the Country when leading another sixth form centre in 2015. We always aspire to mirror the best of professional practice and nurture each individual student who forms a vital part of it.
You can expect personalised provision from a team of passionate, experienced and diverse drama practitioners who are dedicated to their roles. The ethos will be one that balances hard work with team play, which has innovative, ensemble-style theatre that ‘speaks the truth’ at its heart.
Subject Specific Entry Requirements
A good grade in GCSE Drama (9–6) will provide you with a strong foundation for A-Level Drama and Theatre, but is not a necessary entrance requirement here.
Those beginning the course without GCSE Drama might have experiences of performance/plays outside of school; and/or you might have good GCSEs in Dance, English Literature, Film Studies, History and/or Languages.
Where could Drama take me?
Drama and Theatre naturally leads to a degree in Drama or other related subjects, as well as professional diploma training for a future career within the arts sector.
Did you know that for every £1 of salary paid by the arts and culture industry, an additional £2 is generated into the wider economy? The Arts Council research in 2020 also deduced how much of a ‘draw’ theatre is in the UK for international visitors, attracting at least £856m of tourist spending.
Being a professional theatre maker means to play an important role in supporting the UK’s wider commercial creative industries, such as film production, advertising, design and crafts, both here and overseas.
Drama can additionally lead to other exciting vocations and careers which are similarly uplifting and lucrative: your teachers will be able to name countless A-Level Drama students they know who have become barristers, journalists and PR consultants, to name but a few possibilities.
It can also, of course, be the starting point for a successful working life in theatre itself, whether that is behind the scenes or on stage in the spotlight, as many former Chesterton students can currently testify!
So, what’s to lose? Why not become one of them?
Reading List
The titles and web links below are recommendations for research and reading undertaken prior to starting A Level Drama, though they will naturally be texts and sources you might re-visit during the A Level Drama course.
Please remember that these are recommendations only: “pick and choose” what interests you. The important thing is to take a scholarly as well as practical interest in Theatre if you are to enjoy and succeed with A Level drama!
The essential reading for the course is not included in this list: you will undertake it in Year 12, and then build on this in year 13! It is, however, worth bearing in mind that the syllabus for the course is Edexcel:
- Edexcel A level Drama and Theatre (2016) | Pearson qualifications
- AS and A level Drama and Theatre Getting Started Guide
It might interest you. The second link leads to a glossary which it would be ideal to familiarise yourself with.
Additionally, the set texts for Component 3, which we study at Chesterton, include Sophocles’ ‘Antigone’ translated by Don Taylor and ‘Equus’ by Peter Shaffer. Any exposure to these plays, or to information about these plays, in advance of the course, will be beneficial, along with research into Ancient Greek Theatre, Konstantin Stanislavski and Complicite as studied practitioners. Some of the links below will help you with this.
You will also be performing and exploring other plays, which will be selected, once your teacher is more knowledgeable about your unique qualities and interests as a performer/designer. A range of plays that a young theatre- maker might benefit from reading, seeing or performing, are these:
- A Midsummer Night’s Dream by William Shakespeare
- The Seagull by Anton Chekhov (translated by David Hare)
- The Glass Menagerie by Tennessee Williams
- Top Girls by Caryl Churchill
- Ear for eye by Debbie tucker green
The plays above span over 400 years; they are both comic and tragic; and their playwrights are from relatively diverse backgrounds. A great account of the history of theatre by David Timson is available on the link below: History of Theatre, The (unabridged) – Naxos AudioBooks
It is very useful and interesting! You can also listen to it on Audible (Amazon Prime) and this is strongly recommended as a way into further education on theatre studies from its origins to the end of the twentieth century.
Above all, go to the theatre whenever you can!!! It doesn’t matter if what you see is brilliant or terrible, amateur or professional, local or international: spectate theatre whenever you have the chance…
SUGGESTED BOOK READING (in addition to the above texts):
- Introduction and ‘Notes on Myself’ on pages 9 – 33 in ‘Impro: Improvisation and the Theatre’ by Keith Johnstone.
- ‘Short Description of a New Technique of Acting which produces An Alienation Effect’ by Bertolt Brecht on pages 99 – 111 of ‘The Twentieth Century Performance Reader’ edited by Michael Huxley.
- ‘Movement Technique’ on pages 69 – 94 in ‘The Moving Body’ by Jacques Lecoq.
- Chapter 5 entitled ‘Unclogging the work’ from ‘Different Every Night’ by Mike Alfreds (pages 301 – 339).
- ‘The Deadly Theatre’ from Peter Brook’s ‘The Empty Space’
- ‘National Youth Theatre Monologues: 75 Speeches for Auditions: Speeches for Young People’ by Michael Bryher
SUGGESTED WEBSITES, FILM CLIPS AND WEB ARTICLES TO READ, WATCH AND EXPLORE
- Frantic Assembly Features, News and Updates
- Headlong Gecko
- The Stanislavsky System of Acting
- Drama school rejects ‘often the best’, says Mirren
- Acting | The Guardian
- 62 Inspiring Theatre Quotes – Spur Creative https://www.blackplaysarchive.org.uk
- Theatre reviews (britishtheatreguide.info) Learning
- APGRD (ox.ac.uk) Complicite Showreel 2011 – YouTube
- RSC Playing Shakespeare 2 of 9 Using The Verse 1984 VHSrip – YouTube
- Creating Chorus: Building Choreography – YouTube
- Film4 – Actors on Acting (Advice) – YouTube
- Patsy Rodenburg – The Second Circle – YouTube
- National Theatre: Five Truths – Theatre Practitioners – YouTube
- Ian Rickson: In Conversation – YouTube (127) Theater Talk Archive – YouTube
SUGGESTED LOCAL THEATRE VENUES TO GOOGLE AND/OR VISIT
- Corkscrew Theatre Company
- Menagerie Theatre Company
- The ADC Theatre, Cambridge
- The Arts Theatre, Cambridge
- The Corpus Playroom, Cambridge
- The Junction, Cambridge
Finally, watch Chesterton Youth Theatre’s most recent performance at The Royal Theatre, Northampton as part of NT Connections 2023 (an ensemble of 36, led by sixth form performers): youtu.be/zPUOVUuSPSE